Eco-criticism is the study of literature and environment
from an interdisciplinary point of view where literature scholars analyse the
environment and brainstorm possible solutions for the corrections of the
contemporary environmental solution and examine the various ways literature
treats the subject nature. Eco-critics investigate such things as the
underlying ecological values, what, precisely, is meant by the word nature, and
whether the examination of ‘’place’’ should be a distinctive category. Much
like class, gender or race. Eco-critics examines human perception of
wilderness, and how it has changed throughout history and whether or current
environmental issues are accurately represented or even mentioned in popular
culture and modern literature. Scholars in eco-criticism engage in questions
regarding anthropocentrism, and the ‘’mainstream assumption that the natural
world be seen primarily as a resource for human beings’’ as well as critical
approaches to changing ideas in ‘’the material and cultural bases of modern
society’’. Other disciplines such as
history, economics, philosophy, ethics, and psychology, are also considered by
eco-critics to be possible contributors to eco-criticism.
SALIENT ISSUES IN NIYI OSUNDARE’S ‘’EYE OF THE EARTH’’
Niyi Osundare
uses poetry to make dialectical commentaries on the social, economic and
political experience of his people. No one reads his poetry will fail to make
the aberration in a society. Where the privilege few exploit masses. No wonder
why the poet can be considered in the literary circles as the champion of the
masses. Like the Nobel laureate, Wole Soyinka, Osundare believes that Art
should not be for Art’s sake. Art must have a purpose, Form without content is
nothing. No wonder the poet himself says he is interested in the happenings and
politics of his society. He has over the years called the image for himself a
poet, whose desires is to always situate his verse his verse within the whole
ambit of human existence. The poem ‘’Eye of the Earth’ ’ is a metaphorical
exploration of the attitude of the powerful and oppressed to the resources of
the earth and to each other and a reminder to the poor and the rich alike that
humanity and its essence is suffering degradation, which the world authority
should take notice of it. The poet’s main concern is majorly the rampant
inequalities and injustices all over the world. The use of images and symbolism
in Osundare’s poem revolved round these questions searchingly and fruitfully:
why should some be poor and some rich? Why is the society built in way to
favour the strong in order for them to trample the weak? Why are the weak, the
small part of the earth passive, uncommitted to social change? The salient
issues discussed in this poem include:
·
Economical wastage.
·
Class division or stratification.
·
Oppression of the black.
·
Hope on fertility of the land.
ECONOMIC
WASTAGE:
In ‘’forest echoes’’, the poet
condemns the unholy realities of social decadence, moral atrophy, potential
gambit and disappearing laughter’s in the face of humanity and equates the
contemporary imperfections and impermanent to the flora, the disappearing trees
and forest, arising from man’s cruelty to his environment. In the poem of a
picture of ‘’Agegilodo’’ is presented. It goes at any length to make profit.
The outcome of this unwholesome behaviour of the abegilodo is the unreasonable
phasing out of trees. The poet also made use of forest images oke the iroko,
which represents the highly opinionated scholars, whose ‘’Baobab foot’’ is
rooted against a ‘’thousand storms’’. It is often very difficult to intimidate
this class with the oppressive axe of the power wielder.
CLASS
DIVITION OR STRATIFICATION:
In ‘’they too are the earth’’;
Osundare draws a parallel between the rich and the poor. ‘’The swansongs of
Beggars sprawled out in brimming gutters’’ the word ‘’sprawled out in brimming
gutters’’ paint the terrible and without hope poverty of the poor. The poet parallels
them with the rich ‘’under snakeskin shoes and Mercedes tyres.
OPPRESSION
OF THE BLACK:
The unity of labour and earth
in social production is a motif in the ‘’Eye of the Earth’’. In ‘’The Rocks
Rose to Meet Me’’, Olosunta is the rock which embodies the material essence of
earth. Within the communal mode of production, the rock’s gold can be extracted
to ensure meaningful development. Osundare distinguishes between harmonic
non-alienating social production and the feudalist social order in which health
is appropriated by ‘’hallow’’ feudalists.
FERTILITY
OF THE LAND:
Osundare also expressed the
same concern for the masses in ‘’they too are the Earth’’ and also in ‘’the
pack rose to meet me’’, where the poet address the mountains, his source of
inspiration. The rock has material wealth. Olosunda’s belly is a battle ground
for the masses. The poet dialectical and revolutionary commitment to the cause
of the downtrodden is evident. He satirizes the oppressors ‘’glided craniums
and hollow chieftains, undying swords awaits their rocks, Osundare therefore,
envisages a glorious future of equal opportunities for all in ‘’what the earth
said’’, the personified ‘’earth’’ in the poem urges the masses to unite for a
possible total elimination of the exploiters of man. ‘’Our earth will not
die’’, climaxes Osundare’s revolutionary intention. Here, the bourgeois not
only threaten humanity, but the environment. They lynched the lakes,
‘’slaughtered the seas’’ and mauled the mountains for profits. Thus, even if
the mercantilist go lunatic and at random destroy nature endured lakes with the
arsenic urine from the bladder of profit factories, this feeling of hope shall
forever sustain and eternalize the universe, up to a time.
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